Early real photo postcards are small by their very nature and since most were contact printed, not enlarged, there is no visible texture.Collotypes, which provide the finest detail of all printing methods are sometimes confused with real photo postcards.A common problem with real photo postcards is that they are often devoid of any descriptive text.
Some halftone cards were printed on high gloss paper to resemble a photograph but their screen patterns will give them away if one is vigilant.
Most old photo papers used silver in their emulsions.
This practice was only cost effective on cards printed in large numbers; individuals and small photo studios could rarely afford to do so. While many amateur photographers numbered their cards this was most often done by larger studios.
Sometimes a photographer might expose a logo onto the image or hand stamp a name to the back of the card. Numbering was an essential way of keeping tract of large inventory.
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