This turning posture is first indicated in Leonardo's painting in the Adoration of the Magi and is explored in a number of drawings, in particular the various studies of the Virgin and Child with a cat that are in the British Museum.
The delineation between the upper bodies has lost clarity, suggesting that the heads are part of the same body.
The twisting movement of the Virgin is echoed in the Christ Child, whose body, held almost horizontal by his mother, rotates axially, with the lower body turned upward and the upper body turned downward.
This enigmatic gesture is regarded as quintessentially Leonardesque, occurring in The Last Supper and St John the Baptist.
Cartoons of this sort were usually transferred to a board for painting by pricking or incising the outline.
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